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Typography Options

Four complete pairings rendered against identical content. Palette, spacing and layout are unchanged from production: only type varies. Pick a direction and it gets applied to the real tokens in a follow-up.

Option A

Atelier

Refined baseline — the current direction, tuned

Italiana display · EB Garamond body. Timeless, quiet, classical. The locked pairing, included as the control.

Exhibition · Barcelona

Becoming, Undone

Oil, Drawing & the Body in Performance

T. Cheung-Damonte works across oil painting, drawing, poetry and stage performance: a single practice that refuses to sit in one medium. The classical training of the Barcelona Academy meets an impulse to take the surface apart, then build it back as something more honest. Nothing here is meant to be decorative. It is meant to be felt.

I painted the dark first,
so the light would have
somewhere to arrive.

Oil on linen · 130 × 97 cm · 2025

View the Collection
Option B

Recital

Literary & poetry-forward

Cormorant display · Spectral body. Warmer and more bookish. Spectral is drawn for long-form screen reading, so the poems and bios breathe; Cormorant keeps the high-contrast elegance.

Exhibition · Barcelona

Becoming, Undone

Oil, Drawing & the Body in Performance

T. Cheung-Damonte works across oil painting, drawing, poetry and stage performance: a single practice that refuses to sit in one medium. The classical training of the Barcelona Academy meets an impulse to take the surface apart, then build it back as something more honest. Nothing here is meant to be decorative. It is meant to be felt.

I painted the dark first,
so the light would have
somewhere to arrive.

Oil on linen · 130 × 97 cm · 2025

View the Collection
Option C

Incision

Neoclassical drama — exhibition-catalogue

Bodoni Moda display · Lora body. Sharp didone contrast reads as gallery / high-fashion catalogue, leading for collectors. Lora is calligraphic and comfortable underneath the drama.

Exhibition · Barcelona

Becoming, Undone

Oil, Drawing & the Body in Performance

T. Cheung-Damonte works across oil painting, drawing, poetry and stage performance: a single practice that refuses to sit in one medium. The classical training of the Barcelona Academy meets an impulse to take the surface apart, then build it back as something more honest. Nothing here is meant to be decorative. It is meant to be felt.

I painted the dark first,
so the light would have
somewhere to arrive.

Oil on linen · 130 × 97 cm · 2025

View the Collection
Option D

Fracture

Classical vs. experimental tension

Fraunces display · Inter body. An ornate, soft-but-wonky old-style serif against a neutral grotesque body — the academic-vs-destructive friction made typographic. The most distinct option.

Exhibition · Barcelona

Becoming, Undone

Oil, Drawing & the Body in Performance

T. Cheung-Damonte works across oil painting, drawing, poetry and stage performance: a single practice that refuses to sit in one medium. The classical training of the Barcelona Academy meets an impulse to take the surface apart, then build it back as something more honest. Nothing here is meant to be decorative. It is meant to be felt.

I painted the dark first,
so the light would have
somewhere to arrive.

Oil on linen · 130 × 97 cm · 2025

View the Collection