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Four complete pairings rendered against identical content. Palette, spacing and layout are unchanged from production: only type varies. Pick a direction and it gets applied to the real tokens in a follow-up.
Exhibition · Barcelona
T. Cheung-Damonte works across oil painting, drawing, poetry and stage performance: a single practice that refuses to sit in one medium. The classical training of the Barcelona Academy meets an impulse to take the surface apart, then build it back as something more honest. Nothing here is meant to be decorative. It is meant to be felt.
I painted the dark first,
so the light would have
somewhere to arrive.
Oil on linen · 130 × 97 cm · 2025
View the CollectionExhibition · Barcelona
T. Cheung-Damonte works across oil painting, drawing, poetry and stage performance: a single practice that refuses to sit in one medium. The classical training of the Barcelona Academy meets an impulse to take the surface apart, then build it back as something more honest. Nothing here is meant to be decorative. It is meant to be felt.
I painted the dark first,
so the light would have
somewhere to arrive.
Oil on linen · 130 × 97 cm · 2025
View the CollectionExhibition · Barcelona
T. Cheung-Damonte works across oil painting, drawing, poetry and stage performance: a single practice that refuses to sit in one medium. The classical training of the Barcelona Academy meets an impulse to take the surface apart, then build it back as something more honest. Nothing here is meant to be decorative. It is meant to be felt.
I painted the dark first,
so the light would have
somewhere to arrive.
Oil on linen · 130 × 97 cm · 2025
View the CollectionExhibition · Barcelona
T. Cheung-Damonte works across oil painting, drawing, poetry and stage performance: a single practice that refuses to sit in one medium. The classical training of the Barcelona Academy meets an impulse to take the surface apart, then build it back as something more honest. Nothing here is meant to be decorative. It is meant to be felt.
I painted the dark first,
so the light would have
somewhere to arrive.
Oil on linen · 130 × 97 cm · 2025
View the Collection